there are many ways for a band or an artist to compile an album: some make it in a week and some let the process go on longer. the latter approach does often mean that that the record will not be better than had it been recorded and mixed within a short amount of time, rather the contrary. however, there are those albums that just could not be made within in a week or a month, those compilation of songs that needed the time to melt together to form an album. fontäns third album titled fontän, released on hoga nord rekords is that kind of an album. put the opening track mangsebung on, then stay with the record until the closer shadows rings out and you will go clear, sharp, and mildly messed up by the listening experience because this is an extremely well directed trip in mind-altering music! this album needed time to reach such heights.

eine der -oblique strategies- von brian eno lautet: -wiederholung ist eine art des wandels.- seth haley kennt sich mit diesem konzept nur allzu gut aus und seine version des vielfarbigen synth-wave nimmt dieses mantra als herausforderung.
sechs jahre, nachdem mit ,galactic melt- die kosmische geschichte von com truise begann, beschließt ,iteration- nun die ausufernde heldensage.

spirit-guitar played in a polyglut of styles that melt together liquidly, like the glass slide figurations throughout the album. a landscape in song, and modern guitar on a personal high.

debut ep for loop exposure on zora. both atmosphere and energy are present in these first four tracks from fresh duo loop exposure. cinematic vocals melt with heavy grooves to provide serious dance floor killer suited for any club environment.

leftfield’s iconic 1995 debut album back as special edition with remastered audio on 180 gram triple vinyl. housed in a triple gatefold sleeve with download code included.

der belgische elektronik-pionier dirk ivens beschert uns das lange erwartete, neue album seines kult-projekts, dive. underneath ist ein neues meisterwerk minimalistisch-dunkler electro-tonkunst. das limitierte grüne vinyl erscheint inklusive cd.

a carefully crafted recreation of the 1987 pressing. featuring taana gardner, sparque, shirley lites, raw silk, michelle, sybil thomas, stone and brenda taylor this eight track compilation of full length history making classics showcases just some of the highlights from the legendary west end catalogue. as sparque says.... lets go dancin .

the legendary west end records kick off 2017 with the a brand new re-edits series inviting like-minded producers with an underground thirst and a deep understanding of house & disco culture to collaborate on a very special project. first up, wolf music man medlar, applying his dancefloor know-how to west end’s rich archive of classic disco and boogie. hand picking four personal favourites, medlar reworks them perfectly for current club sets. picking out dub sections and skilfully reworking & extending them proving exactly why medlar has been such a draw to labels like delusions of grandeur and for discos only. “i put these edits together for myself and a few friends to play in our dj sets. west end was one of the key stepping stones to what would later become house music and for many is the definitive sound of early 80s new york. i d argue that it s aged better than any other label of that era and if you re relatively new to the label or know it inside out, the catalogue can likely still provide something new.” these four sublime new edits from medlar showcase his passion for digging deep, knowledge of house history and skills as a producer.

during the last ice age glaciers slowly carved away the landscape creating mineral rich sediment. for hundreds of thousands of years melt water carried this fine-grained sediment downstream to parts of north america. in some areas strong winds carried this sediment and deposited it forming a network of ridges and dunes. these deposits of loose silty wind-blown, or aeolian, sediment are called loess. flash forward to the present, and the duo of clay emerson and ian pullman may seem to have gone the way of the glaciers and all but disappeared. instead, their signature loose aural silt has been slowly and methodically accumulating and now makes up their new full-length pocosin. others may have no point of reference and pocosin is a welcome introduction to the sound of loess, in a mere blink of an eye from when they began.
limited clear vinyl with download code included.

let love melt you away. dsr.mr is a collaboration between cloudface & patricia.

the guys at pole jam vinyl have spent most of the last year involved in an undying quest to seek out new, exciting music. they would neither be stopped by the russian tundras nor the deserts of australia in their search. funnily enough, it was actually down-under they discovered sydney based duo falqo with their brilliantly chilled and melodic number across the sea . then, it really was across the sea they went, all the way to the ukraine, picking up sasha anastasov s laidback, groovy smasher sea for two . next up was a much shorter trip to moscow to collect gayana, a band very much on the rise whose since the night has been perfectly reinterpreted by pole jam s very own st. petersburg based all-stars klar&pf. pioneerball is the solo project of tesla boy s lead guitarist who makes his second appearance on pole jam vinyl. this time pioneerball contributes the stunning opening track deltaplane , a track influenced by obscure russian cinematic soundtracks. it s combined perfectly with a compelling disco groove, jazzy melodies and organic strings that will make your heart melt.

rune lindbaek joins bastedos on this new edition featuring two tracks from polar oposites of the bpm spectrum. side a from bastedos features a pacey electronic number with flavours of both rock and disco and a singer making the asertion that i just wanna dance, i just wanna boogie, surely any listener will be left with a similar desire when they hear this at their favourite discotetheque. rune slows it down a gear or two for the flip with his version of supermann, this is a perfect end of the night track that would melt the hips of even the man of steel.

phonk d connects with his buddy le rubrique. they created three real floor bangers with some heavy punch. raw mpc drums, disco samples and classic synths melt into a deep funky mixture. as a very special goodie they could team up with the great borrowed identity, who contributed a pretty nice remix to this ep. watch your feet!

landside is the collaboration between italian producers hunter/game and the icelandic band kura. the sound draws as much from the deep vibe and melancholy ambience of kuras reflective, dubby moods, as it does from the more insistent groove of hunter/game s dancefloor roots landside – signs of change ep signs of change is the fourth chapter of landsides journey through diverse sound researches that cross over to industrial ambients, basslines and a whirling melody accompained by a crescendo of sonorities that won’t release you from the flow. distance is a throw back voyage in a melodic orchestra of ethnic sonorities that elevate you to an esquisite and new dimension. luke hess remix, is a night bounce into into dub techno that will hypnotize you with its hazy yet enthralling use of vocals. kelpe remix is a deep and intense dreamlike hazy trip, accopanied by trippy melodies that melt with the voices of the original track.

adelaide duo warren raww present a 12” that ups the energy of their july ep, whilst still delivering on their own brand of melodic, synth-laden house music. this time flanked by comrades arthur miles and freddie norwood, they add to the already high volume of talent currently emanating from australia.
the a side offerings shift between the more low-end driven aspect of warren raww’s production style, with off-kilter bass lines, punchy percussion and contemplative chord progression. the b side strips things back a bit further with a track each from arthur miles and freddie norwood. gliding pads, raw percussion, broken beats and rolling drums all melt together to deliver an essential slab of house music.

long-awaited fourth installment from the project of earwiggle s sunil sharpe and defekt features unique hand embossed foil stickers for their second 12- of 2016, tinfoil (sunil sharpe and defekt) return for what must be their biggest release to date. foil 23 is a monster - a track that combines so many key elements, it s hard to know what it is. proving how effective a deep buzzing bassline can be when used right, watch the breakdown in this melt brains. foil 26 is cut slightly from the same cloth - pounding but playful with a piercing lead that twists and turns to the finish line. foil 28 is the possible secret weapon of tinfoil 4, putting a fresh slant on hypnotic bleep techno with a warm drive missing in so much of today s cold sound. an essential release of 2016, do not miss it!! dj support from dave clarke, truss, the hacker, randomer, happa, john heckle, jerome hill and more.

rückblende. der krieg herrscht in kabul. nach einem bombenanschlag steht fuchy vor dem, was einmal sein zuhause war: alles ist schutt und asche und lähmender schmerz. er sieht sich um. nichts ist ihm geblieben, außer seinem querkopf und seiner superkraft, die musik. damit bewaffnet, bricht er auf in die ferne, fremde, ungewisse welt des westens. dies ist der narrative rahmen für die abenteuer des kleinen, kauzigen kämpfers fuchy. die geschichte eines geflüchteten aus afghanistan, der versucht, sich seine neue umgebung nach seinen eigenen regeln zu erschließen - und dabei instinktiv beats von genuiner schönheit rausballert. fuchy ist gezeichnet, animiert, erfunden, eine art orientalische hip hop-variante von bart simpson. aber gleichzeitig könnte er realer nicht sein. weil er voller widersprüche ist. fuchy, das ist der protagonist von -420- und zugleich das alter ego des in hamburg lebenden musikproduzenten farhad -farhot- samadzada. farhot, vor 34 jahren im afghanischen kabul geboren, hat nicht nur mit deutschen top-künstlern wie max herre, haftbefehl, samy deluxe, chefket, karate andi und xatar gearbeitet. er hat ebenso erfolgreich mit internationalen künstlern wie der soul-sängerin nneka aus nigeria, selah sue, der grime-königin ms dynamite oder den us-amerikanischen hip hop-stars talib kweli und isaiah rashad zusammengearbeitet. seit einiger zeit betreibt farhot zudem sein eigenes label kabul fire.

andrea pellegrinelli and davide brugola are two men born and bred in the traditions of italo and electro disco. the duo, as forklift & saw, release their debut 12”, regression, as they melt past influences into the present. meandering hooks, emotion soaked keys and snapping rhythms are at the centre of this milan partnership s music. across four tracks the pair delivers crashing snares, starlit synths and rumbling arpeggiators. infectious full bodied funk oozes from this fledgling outfit, crisp percussion supporting their night gazing melodies. welcome to the world of forklift & saw.

yet again, labelowner gaze ill joins forces with the danish dubstep ambassador rdg, this time for a 4 track collaborative ep. on the aside the artists minds melt together in two pieces of dubstepscience. as the title suggests, rdg and gaze ill show what dubstep is made of with “keepin’ it real” that’s characterized by a pressuring hardness, and uplifting energy. “the zone” follows with its progressive universe that evolves in just the right way with perfect timing. the bside shows off the two artists individual skills with immense, paranoid vibrations on rdg’s “shapeshift”, and thrillingly deep basslines on gaze ill’s “combo”. the ep is a refreshing showcase of the genre’s finest offerings original sound with a wellbalanced diversity. rdg and gaze ill keep it real for this first vinyl release on cue line records.

ladies and gentlemen, welcome back to the shimmy sham sham sessions. when people talk about summertime vibes its most often associated with the obvious: good weather, sweet drinks, waterside locales, and a much-needed departure from the daily grinds of work, school, and off-season doldrums. one thing most tend to overlook however are the smells. it’s the smell of the summer season that really infects the spirit being attacked by the olfactory seducing aromas of suntan lotions, watermelon, ck one summer spray overuse, piña colada mixes, bbq grill emanations, and perhaps most importantly of all, sweat. dripping, oozing, sticky buckets of lovely sweat everywhere. whether that is happening poolside, in the bedroom, or, as the case clearly is with this ridiculous three-tracker of party bombs, on the dance floor. the whole wide world of disc jockeys now have access from everything to dont stop the music a slick power wash of classic french disco, to a rollicking jazz piano-led jam by an operator hereby known as professor twirl-hair. in the heat of the night, let those sweaty numbers melt your worries. no top hat and gator shoes required, just shake that ass!

unter dem titel “new skin” erscheint das langerwartete debütalbum von jones via 37 adventures. jones, die bürgerlich cherie jones heißt, perfektioniert auf ihrem erstlingswerk das zusammenspiel von melancholie und euphorie, den einklang von elektronischen und organischen sounds, gepaart mit feinsten pop-elementen. die 25-jährige londonerin arbeitete bei den aufnahmen zu “new skin” mit großen studiotalenten zusammen wie lana del rey kollaborateur justin parker, savages produzent sowie the xx mixer rodaidh mcdonald, sam smith co-texter tourist, two inch punch, xo, oceaan, a.k. paul und honne.
die vinyl-lp erscheint inklusive downloadcode.

the ninth ep from the magic waves label comes courtesy of the enigmatic and mysterious voiceover woman. we are given four tracks of modern electro-psychedelic wizardry that will surely melt your mind, as well as any dancefloor it comes into contact with. opening the record is ‘input sensitive’, and we’re plunged into a world of swirling synthesiser emotions from the start, tripping hard into ‘mega gift’, a monster of a track that not only shifts the speed up a gear or three but funks it out in spaced-up futuristic ways too. side b brings us ‘total rotation plug-on’ and takes us deeper into lush aphexian dreamscape dimensions before the whirlwind climax of the record, the closing stormer ‘convolvo’, expanding any mind it’s aurally connected to at an exhilarating rate. it’s a record that leaves you mentally and physically breathless, and is not one to miss. comes in limited quantities, and vinyl is coloured!

nice price deal !!! eclier (siberia) proudly represents the new cold wave from the east: electro break, robotic vocals and spacey pop synths: all together this siberian chemistry is a hot hymn to the dancefloor. after the release in july of >the hole< ep (ref. mako004), supported by mr oizo, das glow, mixhell, zombie nation, autodidakt, etc., eclier is coming back in october for his new « the future is now » ep. with new bombs for the dancefloor, on the productive label boxon records. if ecliers first album took you on an amazing trip, this new project with more rhythm will take you directly to exploding parties. girls, the word is dancing. after a few remixes for some artists of the label boxon records and an ep on proxys label, we were right to expect a true hurricane. no options left, its gonna come. with intros very much turned to an atmosphere close to b.o. s.f. and a new wave touch, nikita, who comes from the great siberian cold, adds an electro touch to choruses that just make the ice melt. a perfect example to be found on >rockfall<, heritage of digitalism. the saturated melodies are bloody efficient and the beats powerful. away from a lament or a lullaby, eclier earned his stripes, and took vitamins. we definitely find this craving energy on >spider< that ends this three-track record. eclier has everything of big man now: tom deluxxs enthusiasm and the combined new wave touch of the cut copy. he gets closer to proxys ingenuousness. >the future is now< (text by céline fula, october 2010 – traduced by cécile guidon)

the green moon rises over the freshly scorched post-apocalyptic earth, as one last droid emerges from the mass wreckage of the last crumpled city. that droid is neon x. snow bone returns to lt with another ferocious four-track ep, following on from his remote viewer ep, mystic vision black label and black patterns lp from last year. tape-driven techno never got it so hard.. this time driving the desk with stress-pelting rave alarms, scuffed & crunchin city-escape bass lines, scattered snare-morphed-into-laser modular experiments and hissed-up mix-downs to melt any and all sound systems.

joy orbison and herron. three deadly rounds of tense, urgent, atmospheric, body-rocking techno — and something more like hip-hop. tersely sexual, detailed but scuffed, fierce. that’s young herron on the front, with his mum.

ein halbes jahr nach seinem erfolgreichem debütalbum - elaenia -, das von musikliebhabern und kritikern als eines der besten alben des jahres 2015 abgefeiert wurde, veröffentlicht der britische dj und produzent sam shepherd aka floating points die kuiper ep, auf der er auf den beiden, zwischen 14 und 18 1/2 minuten langen tracks, seine fähigkeit auslebt, elektronische und organische klänge zwischen laptop und orchestralem ensemble zu einem perfekten klangerlebnis aus jazz, electronica, klassik, soul und brazil zu verweben, was er auch live in montreux und beim melt! festival präsentieren wird.

the contemporaly house tracks which combine his established heavy groove, smoothness & beautiful essence! -secret floor 002- misterious, raw feeling & the roop of vocal sample are intertwined together to be miraculous sounds-saturday night- melodious and uplifting house track-o-nature- unique sound quality made by mpc & the trumpet sample greatly melt together -sky lounge- slow down...dope track with a spice of japanese sample blackoly profile:dj, beatmaker, and sound producer in tokyo, japan. born in 1981, his parents taught him to play in a forest and make what he wants to play by himself. started his dj carrer when he was 19.the first track he played was -bucktown- by smif-n-wessun. in the ensuing year he started making tracks under the name of dj shibaki. kept releasing his own tracks by casset tapes and cd-r and released -document-(12-) in 2006. after that he released mix cd -abstract- and -gravity-, and he has done around 100 of play in a year with his style of going back and forth freely among various sounds evolving abstract, breakbeats and hiphop.in 2009 he played together with dday one, dorian concept without knowing who they are. when he played together with dj kensei, he got a meaningfull comment -do you always do such a mix?- in 2010 he became immersed in creating tracks with mpc2000xl which was not not used for a long time, and started doing dj & live only with his own tracks by using cd-r & kaoss pad. thereafter he started making house tracks under the name of blackoly influenced by house djs & dancers whom he has played with since 2000s. the various music in his background & the dancer s excitement on the floor like -house- atmosphere greatly melted together and it led to build his unique sounds. in 2013 he released -dirty channel-(12-), in 2014 -dr.circus-(cd), and his work continues to this time.

(180 gr) the third in international feels mini album series is by wolf muller and cass. their album follows two highly regarded releases from len leise and cfcf and they havent let us/you/or anyone down.wolf muller and cass. have a new album coming on international feel as part of our ongoing mini album series. their album follows two highly regarded releases from len leise and cfcf and they haven t let us/you/or anyone down. jan schulte is wolf muller. he makes music to dance to and then he likes to pick things up and bang them. he makes funky german sounds from jews harps and odd items that you wouldn t expect. he is like an underground german version of herbert (but with more groove in his bones). cass. makes soundscapes that melt your bones and take you elsewhere. together they are a pretty formidable duo.

in the past, berlin-based djane miss dica showed with her releases on third-ear-recordings and auftakt records her talent for modern electronic music . now, she opens a new chapter with her new label radio productions and proves that, besides groovy tech-sounds, she is also capable of more harmonic productions. in her first release „out of blue“ of her new label, melodic sequences melt together with analog sythesizers. together with her vocals it creates a new signature sound. as external support remixes from the two well-known artists rené bourgeois and lars wickinger complement this release. all in all it is a very colorful release in which everybody will find his favorite.

lost tapes recovered from the charred rubble of a post-apocalyptic melt down ‘kiss my smiling face’ is a relic from the distant future. pearl river sound has, to this point, kept a low profile - instead choosing to keep himself holed up away from the horror, emerging only briefly in 2015 to drop his debut 12” via the r&s affiliated meda fury records. in his latest outing, we are mercilessly pushed to the edge, eyelids forced open to witness the terror unfold…

on silicon tare, the sci-fi story that seth haley, who records as com truise, began on the galactic melt lp and continued on the wave 1 ep takes a dark turn. at the conclusion of wave 1, the protagonist, earth’s first synthetic astronaut, successfully makes contact with the far-off wave 1 colony but, once he does, things get fuzzy. he falls in love, there is a war coming. a story that began in hope and dreams of discovery ends on an uncertain note. change is in the air.

invisible incs latest limited 12inch brings cosmic adventurer secret circuit into the fold. secret circuit is the project of musician and visual artist eddie ruscha (laughing light of plenty, blase, thriftcoteque, amongst others) whose solo and collaborative activities have issued forth an inordinate number of stellar releases on labels such as emotional response, beats in space, internasjonal spesial, esp institute, exist dance and rush hours no label.

quartz rec is pleased to welcome the duo doomwork based in rome and well known for them amazing groove, there music is emotive and immersive with melodies and riff locked into rolling rhythms and subtle atmospherics.and its with no surprise that they are coming with an outstanding ep on quartz rec, first track « nihil sine sole » super trippy track with some great congas slowly and this beautiful pad building a great atmosphere. second track « memento » getting more into deep techno with class, tracks talk for itself. we have also two remixes, first one is from ambivalent who deliver a big stomper techno mix ready to smash the dance floor, second is from ness who bring a driving techno track melt with the pad from the original who will make lose yourself.

van bonn presents on his new ep pluto dedicated techno music with a dubby edge. every tune of the ep points and reflects a different situation of the night. the eponymous opener pluto delivers a powerful groove full of drive, massive chords and sirens to thrill the air. twisted elements spice the dubby elements that melt into a massive break. 2650 pleases with a forward driving groove and modulated chord stabs. the massive bass goes hand in hand with the overall positive vibe created by subtle shifts of the harmony to round off an evolving tune that points on the dancefloor. the two heroes brendon moeller and eric cloutier remixed van bonn s original mixes. it needs to be said that it is amazing to welcome these two artists on this ep with their fantastic reshapes. brendon moeller remixed pluto and presents a stripped down, groovy and dubby affair that fathoms the wideness and depths of the original mix. brendon moeller s remix proves again that less is sometimes more. techno dub at its best. eric cloutier s remix of 2650 rounds off the ep with a gentle and deep driving dub house vibe. it is presented in the stripped down eric cloutier sound . full of details and little changes does eric cloutier s remix tickle your eardrum that makes you long for the next neverending open air session. but don t forget to go home.

gelert takes a journey from crib y ddysgyl over to crib goch, the third highest peak of the 3000’s. 3000.3 delivers more illusiveness, the compelling story grows and the peaks remain nippy! this time luvjam invites bob, laffer, lizards, rnr and traela to join the rucksack club!

hey everyone – so we re back again finally with number 5. it s taken us ages but expect a slew of 12- releases from us this year. the big news for stores is that we ve gone vinyl only. our reason is simple - we love digging and label honcho the mole only dj s vinyl so why not follow our passion! maybe tomorrow is starting the year off with a doozy from one of the most knowledged disco guru s on earth – koosh. this amazing dude has been keeping canada s west coast edits scene strong and free for many moons. the heads should know him thanks to his releases on cult labels such as common edits, red motorbike and his own 7 inches of love. what you get here are 2 prime cuts that we guarantee to bring the sunshine to any dance floor and a bonus fx ripper to melt minds.

over a year since their last release, birdsmakingmachine come back hitting hard with a diverse three-track ep ranging from deep to minimal house. the title track “deaf crows” intelligently layers delayed snares and elaborate hihats into subtle analogue pads and melodies, resulting in a sophisticated, yet dj-friendly composition. at over 10min long, it’s an endless rotation of industrial rawness that manages to melt into the smooth and rich textures for which the birds are known. “black midget”, on the flip, goes into darker depths, with an almost broken 4/4 beat underlying overly swinging rhythmic arrangements and hypnotic synth lines that reminisce some of the earlier bmm material. finishing off the record is the simply titled “primos”, offering a more minimalistic approach with its intricate arrangement of quirky arpeggiating melodies and playfully juggling hihats, closing off the ep in the neatest birdsmakingmachine fashion.

label boss daniel boon returns to berlin s mighty neuhain with another flaming 2-tracker ep including also remixes by 2 brilliant minds, dekai and david temessi. expect nothing less than high-octane techno, ready to melt every dance floor

back from a whirlwind tour this summer that included glastonbury, melt & wilderness festivals plus a much-lauded residency at heart in ibiza, performing damian lazarus & the ancient moons eccentric and immersive debut album for the first time, the band unveil their third single, we will return. co-written by ali love, who also features on vocals, we will return is remixed by loves own infinity ink project, serge devant and joeski and veers the moons back to the dancefloor.

after a short hiatus, autofake is proud to present the second various artist instalment autofakery.two. this time we start off with a big bang, when the fun runs out from martyn hare is a dancefloor trembler, this one does damage. housemeisters backpfeife raises the roof, dave tarridas big bad wolf tears the house down and patrick boltons long fuse will melt your marbles.

after a huge success with the first release by dj aaekmael, we signed another crazy good release. the man who is everywhere at the moment luvless. with releases on tsuba, sleazy beats, rose records, razer n tape, diggin disco deep and much more, this guy can t be stopped. sometimes slow mo deep house, with a fantastic vocal, and a piano that will make your heart melt. on the flip side, we asked the productive desos to make a remix, and he did that very well, he added a little more basement vibe to it, just ready for the clubs. vinyl only release.

proper stuff by aikido master, chef du jour and mighty machine man outer world operator, elliott thomas. here he ups the chianti and elevates his trademark techno machine to a higher level of difficulty. with awim, he takes us on a deep and drummed out pony ride around the living room and back via the club, while ultimate energy is a veritable proton energy pill destined to melt dance floors and make djs cry! et phone home!!

keeping the concept of a tight knit family of artists, up next on sol asylum is the follow up ep for the dilated pupils titled introducing remi. this collective of likeminded artists from the netherlands return to the label with a solid four-track ep that shows their range and diversity as producers. moving full speed ahead we start off with “remi at 21.16” a track that instantly hypnotizes you on the dance floor with its echoing harmonic synths and a complex metallic snare pattern. the track is a slow burner that explodes when the dirty analog kick, swinging bassline, and filtered percussion melt into an atomic fusion. next we take it to the next level with “do” its underwater bubbling percussion, bleeping stabs and eerie synth take us to the far off corners of space with just enough acid to keep our heads down and grooving to the strobe light in a dark room. as we move into fall with “october times” a tightly woven groove and galloping kicks push us into more experimental territory with soaring vintage synths that create tension and finesse at the same time. finally we finishing things off with the esoteric vibes of “suque” this deep and dirty track channels the positive force from another realm, which is the perfect match for the inspiriting concept of sol asylum.

new artist daniel wainwright brings his psychedelic vibrations to is it balearic? doing it is a slow motion sleazy trip into the acid house. swirling vocals and psyched out guitars melt into chuggy acid beats and effects. coyote up the tempo a touch and strip back the whole track on their remix. dubby vocal samples and muted guitar groove along to an acidic finale. the second remix is a real thing of beauty from mushrooms project. keeping the same slow tempo and adding space and texture with mellow guitars and extra sitar. a subtlely developing tribal workout. groovy man.

jel ford returns to drumcode after his highly anticipated remix of alan fitzpatrick s for an endless night. ford laces his three electrifying, new original tracks with a high energy that are guaranteed to get any dance floor rocking. heavily featuring on adam beyer s drumcode radio both red mist and overcast have gained heavy support from dj s and fans alike. ode to basement is an end of night smasher that will make everyone melt into the ground as it is caressed out of the sound system

two original tracks with a different touch, a melt of researched infusion between classic deep techno and mircohouse with mad baselines and insane piano rolls tunes. on the remix side rqm hosts for the first time, the highgrade record lord tom clark wit a groovy masterful detroit edit and the old good friend from the code studio gabriele carasco with a break beat dreamy tune.

under a permanent commitment of self-challenge and a continuous attitude of nonconformity against the banal, damaskin presents two of his multiple faces under a single pack. bucolic and grotesque tendencies meet aggressiveness in order to melt in a disparity conversation within the unconventional. framed as a story, * propaganda* and *entrance* define the protocol of a progressive formalism only interrupted by the massiveness of the overwhelmed * ancient communications* and *catacomb*

continuing on from vol 1 s theme of established artists working in disguise, music first vol 2 delivers another sonic assault with this absolute rollercoaster ride of a record. the mysterious scorpio t opens the ep with neptune rising , a squelching acid-bass boomer that can simultaneously spiritually elevate and physically devastate any dancefloor. rounding off side a it s followed by scandalous arthur s acid in my mind , a lo-fi tape-hissed jacking beast of a banger that sounds like it s genuinely been brewing in a vat of highly toxic acid for at least 25 years and guaranteed to melt your mind. on the flipside comes jax dax returning from vol 1 with the low-frequency moody slo-mo electro workout fucking computer that oozes bad attitude and booty-shaking basslines in equal abundance. bringing the trip to a close is kyrenic azalee with the self-titled kyrenic azalee , an x-rated new beat tour-de-force of epic proportions that will fry minds and bodies with its relentless energy. limited edition so don t sleep on it, not that it would let you.

back by popular demand, we are thrilled to bring you this limited edition re-press of the debut lp by algerian born producer el mahdy jr. pressed on black vinyl, and housed in a heavyweight clear polyvinyl sleeve with download code included.
born in sidi bel abbess, algeria, now living in istanbul, el mahdy jr. is a rising voice in sample based global electronic music. his sonic experiments have grown into a collection of disciplined, well timed musical gestures that confound the expectations of any single genre. splicing devotional music into a blunted blend of half time bass and mystic sound. familiar in its bass weight and its global melt, but completely new and enveloping in its fragility and poise.